Sticky Fingers offstage rock’n’roll personas – whether you believe in the veracity of them or not – can, in an unsurprising way, take away from their musical output.
Which kinda sucks. Because their new album, Westway: The Glitter & The Slums works as a super-interesting comedown record to their last album, Land of Pleasure. That was a bonkers sunshine indie psyche-pop gem — my 2014 review of it for Rolling Stone gave it 4 stars — and Westway is scrappier, stranger and not quite the summer-jam kiler its predecessor was. It definitely has more heart, however.
Anyway. With that in mind – my featured review of Westway: The Glitter & The Slums for Rolling Stone is right here.
The Sword: a bunch of rad Austin longhairs.
Low Country: the companion record to last year’s High Country.
The cool part: It’s sludgy psyche-metal songs done acoustic gothic country. And it’s awesome. Read my review of Low Country right here.
HEY NOW! I wrote about how folks can deal with the Nets upcoming season. It’s over at TheBrooklynGame.
Hint: Booze and Jeremy Lin’s (pretty amazing) hair feature prominently
Against Me! and Laura Jane Grace have been making essential punk albums for the past decade-plus… and Shape Shift With Me is no exception. You want angry relationship identity punk? You got it, kid. Check out my review of Shape Shift With Me for Rolling Stone right here.
Yeah! Of Mice & Men shred. Find out just how much shredding they get into* on their new album Cold World in my review of it for Rolling Stone right here.
*hint: It’s a lot
“…they trade in memorable pop songs that are almost instantly forgettable…”
Check out what else I had to say* in my Rolling Stone review of the new record from hat-wearing indie-hippies Grouplove, Big Mess, right here.
*Hint: It’s not as bad as you might think